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The Nordic Ingredient

European Nationalisms and Norwegian Music since 1905

Notions of the ‘Nordic’ have always been an issue in Norway’s national identity building, both before and after it became a sovereign state in 1905. Accordingly, Norwegian music has expressed a sense of ambivalence towards being conceived as ‘Nordic’ from the outside: A strong sense of ‘Norwegianness’ (forged during the heroic age of cultural nation-building in the 19th century) was challenged by the advent of new, nationalistic currents in the 1930s, which used notions of the Nordic as a political weapon. This book shows how music expresses affirmation and ambivalence towards the ‘Nordic’ as an ingredient of Norwegian national identity across musical genres. Further, it explores the contingencies of national music and the dramatic changes in 20th-century European political history. At the same time, it sheds new light on the difference between musical nationalism and national music.

Titel: The Nordic Ingredient
Untertitel: European Nationalisms and Norwegian Music since 1905
Herausgeber: Custodis, Michael GND
Mattes, Arnulf GND
Dokumenttyp: Buch
Medientyp: Text
Erscheinungsdatum: 2019
Publikation in MIAMI: 19.03.2019
Datum der letzten Änderung: 19.03.2019
Quelle: Custodis, Michael; Mattes, Arnulf (eds.): The Nordic Ingredient. European Nationalisms and Norwegian Music since 1905. (Münsteraner Schriften zur zeitgenössischen Musik ; Bd. 4) Münster : Waxmann Verlag, 2019, ISBN 978-3-8309-3896-5, 140 S.
Verlag/Hrsg.: Waxmann Verlag
Fachgebiete: Musik
Lizenz: CC BY-NC-SA 4.0
Sprache: Englisch
Format: PDF-Dokument
ISBN: 978-3-8309-3896-5
978-3-8309-8896-0
URN: urn:nbn:de:hbz:6-65159518099
Permalink: https://nbn-resolving.org/urn:nbn:de:hbz:6-65159518099
Onlinezugriff:
Inhalt:
The “Nordic Ingredient” – Introduction ..... 7
Ina Rupprecht: Manifesting the National Idea: Edvard Grieg or How His Biographers Saw Him ..... 11
Andreas Bußmann: Expressing “Nordic” Greatness: Wagnerism in Norway 1905–1945 ..... 21
Ingrid Loe Landmark (neé Dalaker): Ideas on National Music in Interwar Norway ..... 35
Arnulf Mattes: “Monumentalism” in Norway’s Music 1930–1945 ..... 55
Michael Custodis: Master or Puppet? Cultural Politics in Occupied Norway under GW Müller, Gulbrand Lunde and Rolf Fuglesang ..... 69
Friedrich Geiger: Harald Sæverud’s Kjempeviseslåtten – A Typical Resistance Composition? ..... 81
Arvid O. Vollsnes: Rebuilding Norwegian Music From Valevåg to Tanglewood and Darmstadt ..... 93
Michael Custodis: “Nordisk” – “Aryan” – “Identitär”. Music for the New Right ..... 103
Arnulf Mattes: No Escape from Politics? On Grieg’s Aft erlife in Norwegian Memory Culture ..... 115
Boris Previšic: Resistance to Totalitarianism: The Polyphony of Literature and Music ..... 129
Index of Names ..... 137