Synesthesia: The Synthesis of Arts in World Art Culture : Abstracts from a Conference held in Saint Petersburg, March 4–5, 2019

This book provides abstracts of papers of the 2nd International Conference Polylogue and Synthesis of Arts: History and Modernity, Theory and Practice; Epochs – Styles – Genres, which took place on March 4–5, 2019, at the Rimsky-Korsakov Saint Petersburg State Conservatory. The conference was dedica...

Further contributors: Jewanski, Jörg (Editor)
Nikolaeva, Nina (Editor)
Konanchuk, Svetlana (Editor)
Document types:Book
Media types:Text
Publication date:2020
Date of publication on miami:25.06.2020
Modification date:25.06.2020
Series:Wissenschaftliche Schriften der WWU Münster / Reihe XVIII, Bd. 15
Publisher: readbox unipress in der readbox publishing GmbH
Edition statement:[Electronic ed.]
Subjects:Music; Synesthesia; Visual arts; Literature; Philosophy; Conference; Saint Petersburg
DDC Subject:152: Sinneswahrnehmung, Bewegung, Emotionen, Triebe
700: Künste
License:CC BY-SA 4.0
Language:English
Notes:Auch im Buchhandel erhältlich: Synesthesia: The Synthesis of Arts in World Art Culture : Abstracts from a Conference held in Saint Petersburg, March 4–5, 2019 / Nina Nikolaeva, Svetlana Konanchuk, and Jörg Jewanski (Eds.) : readbox unipress, 2020. – 200 S. (Wissenschaftliche Schriften der WWU Münster : Reihe XVIII ; Bd. 15), ISBN 978-3-8405-0230-9, Preis: 20,80 EUR
Format:PDF document
ISBN:978-3-8405-0230-9
URN:urn:nbn:de:hbz:6-01149499132
Permalink:https://nbn-resolving.de/urn:nbn:de:hbz:6-01149499132
Digital documents:buchblock_jewanski_bd4.pdf
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505 0 |a Foreword ..... 11 -- Abstracts ..... 13 -- Galiya Akparova - The Problem of the National: The Relationship between Tradition and Innovation in Chamber-Instrumental Sonatas of Bakir Bayakhunov ..... 15 -- Gulnar Alpeisova - Understanding of Kuy’s Musical Space in the Course of Ethnosolfeggio ..... 16 -- Elena Barnashova - Dialectics of the Perfect and the Real in Aesthetic Literature in the Middle of the 19th Century ..... 17 -- Ayganym Baygonys - Synthesis of Arts in Animation of Kazakh Kuy’s ‘Aksak Kulan’ ..... 19 -- Olga Begicheva - The Song of the Prophet Oleg by Alexander Pushkin. Musical-Artistic ‘Interpretation’ by Nikolai Rimsky-Korsakov and Victor Vasnetsov ..... 20 -- Yaroslav Bezokov - The Synesthetics of Form in Music ..... 21 -- Olga Bochkareva - Dialogue ‘Man – Time’ in Musical Animated Film ..... 22 -- Galina Boeva - Style Correlations between Different Kinds of Art in Dmitry Likhachev’ Works ..... 23 -- Regina Budagyan - Synthesis of Arts in the Works of the Outstanding Representatives of the Modern Musical Direction ‘Classical Crossover’ ..... 24 -- Natalya Danilkina - Reflections on Raphael’s Fresco Virtue and Law and the Ethical Background of European Integration ..... 26 -- Andrey Denisov - Hypercitation in Musical Art of the 20th Century: Forms and Functions ..... 27 -- Ekaterina Devyatko - The Metaphorical Vocabulary of Alphons Diepenbrock ..... 29 -- Vadim Dulat-Aleev - Maslenitsa, Faustian Theme and Theatre ‘Moralité’ in Alexander Serov’s Opera The Power of the Fiend: The Problem of Artistic and Stylistic Polylogue in Interpretation ..... 30 -- Alexander Egorov - Music Metaphor in Literary-Critical Articles of Marina Tsvetaeva ..... 31 -- Marina Egorova - Features of Art Synthesis in Giacomo Meyerbeer’s Opera Le Prophète ..... 33 -- Evgeniya Elina - Ways of Artistic Perception in Language: Examples of Interpretation of Vincent van Gogh’s Paintings ..... 34 -- Marya Gendova - Ballet Comedy as a Representation of Life in the Country of Soviets of the 1930s: A Look from the 21st Century ..... 36 -- Nadezhda Golik - Synesthesia of Dramatic Action: The Concept of Stanislaw Witkiewicz ..... 36 -- Pavel Gordeev - Methodological Foundations of ‘Musical Graphics’ ..... 40 -- Anatoly Grigorenko - Sofia Bases of Artistic Activities ..... 41 -- Elena Guseva - Performances and Installations: The Problem of Expanding the Borders of Art (Hermeneutic Aspect) ..... 42 -- Natalia Harding - How it Started: Synthesis of the Arts in English Ballets of the Late 1920s and Early 1930s. An Analysis, Based on British Newspapers ..... 45 -- Sergey Iezuitov - Russian Cosmism and Maxim Gorky ..... 47 -- Jörg Jewanski and Rustem Sakhabiev - Bulat Galeyev’s Abstract Film The Small Triptych. A Synthesis of the Arts, Realized at the Prometheus-Institute (NII) in Kazan ..... 50 -- Jörg Jewanski, Julia Simner, Sean A. Day, Nicolas Rothen, and Jamie Ward - Synesthesia: The Development of Its Terminology ..... 53 -- Jörg Jewanski, Christoph Reuter, Isabella Czedig-Eysenberg, Saleh Siddiq, Charalampos Saitis, Sascha Kruchten, Rustem Sakhabiev, and Michael Oehler - Features of Timbre-Color Mappings. An Empirical Study ..... 56 -- Darya Kalashnikova - Problems of Synthesis of Arts in Music of the Russian Avantgarde of the 1910s in Relation to a Theory of Synesthesia ..... 59 -- Galina Kaloshina - Varieties of Art Synthesis Processes in the Works of French Composers of the Second Half of the 20th and the Beginning of the 21st Century ..... 60 -- Svetlana Kamyshnikova - Color Visualization in Music Education ..... 63 -- Xenia Kemova - The Four-Handed Sonata in the 20th Century by Francis Poulenc and György Ligeti: Modification of a Genre ..... 64 -- Liliya Klochkova - Dialogue of Images: ‘Image of Edessa’ and Ancient Russian Church-Singer Tradition ..... 65 -- Alexander Klyuyev - Polylogue of Arts in Pedagogical Work ..... 67 -- Zoya Knyaz - Themes of the East and the West in the Opera La Princesse Jaune by Camille Saint-Saëns ..... 68 -- Olga Kolganova - Bibliography of Works of the Light Orchestra’s Inventor Grigory Gidoni: Published and Unpublished ..... 69 -- Galina Kolomiets - Metaphysical Sources of a Synthesis of Arts in Aesthetics of German Romanticism ..... 72 -- Nina Kolyadenko - Synesthetics and Synergetics as a Methodology of Modern Musicology ..... 74 -- Svetlana Konanchuk - The Problem of Synesthesia in Musical Culture of the Ancient East ..... 76 -- Mariya Kosheleva - Der beglückte Florindo and Die verwandelte Daphne by George Frideric Handel in the Context of the Traditions of the Baroque Opera in the Beginning of the 18th Century ..... 78 -- Mariya Kozak - Genre and Stylistic Interactions in the Music of the Middle Phase of Avenir Monfred’s Art ..... 80 -- Mariya Kozlova - Modern Practice of Directorial Interpretations of Classical Opera Performance: Specifity of Intermedial Translation ..... 81 -- Natalya Krasikova - Music Syntax and Music Syntagmatics: The Question of Borrowing Linguistic Terms in Musicology ..... 82 -- Anna Krom - Orient in the Works of Charles T. Griffes ..... 84 -- Albina Kruchinina and Marina Egorova - From the Polylogue to the Performative: Ancient Russian Monody in the Temple Space of the 17th Century ..... 85 -- Tatyana Kruglova - Batleyka Puppet Theater through the Prism of a Synthesis of Arts ..... 86 -- Svetlana Lashchenko - Polylogue of Emotional and Behavioral Codes of Russian Culture: The Example of Russian Tours of European Primadonnas in the Period between the 1820s and the Beginning of the 1840s ..... 88 -- Ludmilla Leipson - The Idea of Sound Visualization: Communications and Parallels ..... 89 -- Evgeniya Lisitskaya and Nadezhda Gernet - Improving the Quality of Education in Music Using Mechanisms of Interdisciplinary Interactions ..... 91 -- Tatyana Litvin - Perception of Music in the Context of Teaching in the Time of Augustine: Possibilities of a Phenomenological Interpretation ..... 93 -- Svetlana Lysenko - Choreographic Interpretation of the Boléro by Maurice Ravel in the Modern Musical Theater: Experiences of a Synesthetic Analysis ..... 94 -- Danila Lyubimov - Jeanne d’Arc au bûcher by Arthur Honegger in Perm: From Mystery to Performance ..... 96 -- Danila Lyubimov - The Libretto of George Frideric Handel’s Opera Alcina: A Fairy Tale or an Erotic Novel? ..... 98 -- Anastasiya Maksimova - A Preliminary Overview of the Works of Bulat Galeyev on the Synthesis of Arts, Based on Materials of the Prometheus-Conferences 1969–2008 ..... 99 -- Antonina Maksimova - The ‘Jazz’ Heritage of Vladimir Dukelsky (Vernon Duke): The Problem of a ‘Memory of Genre’ ..... 101 -- Nadezhda Mankovskaya - Concepts of Synesthesia and a Synthesis of Arts in Aesthetics of French Symbolism and Their Multimedia Echo ..... 102 -- Marina Mikhailov - The Ontological and Aesthetic Basis of Polylogue and the Synthesis of Arts: Octets by Osip Mandelstam ..... 103 -- Irina Mishina - A Synthesis of Arts and Modern Aesthetic Culture ..... 104 -- Olga Mizyurkina - Synesthesia in the Context of Cultural-Artistic Impulses in the Early Creativity of Igor Stravinsky ..... 106 -- Nina Nachkebia - Synesthetic Ideas in the Piano Cycle Vingt Regards sur l’Enfant-Jésus by Olivier Messiaen ..... 107 -- Sergey Nesterov - Literary Genres in Music for Solo Violin in the Last Third of the 20th Century as a Phenomenon of Synthesis of Arts ..... 108 -- Nina Nikolaeva - Synesthetic Aspects of Leo Tolstoy’s Military Prose ..... 111 -- Vera Nilova - The Virtual East in the Works of Leevi Madetoja ..... 112 -- Irina Novichkova - A Word about Igor’s Regiment. A Monument of Ancient Russian Literature and a Drama Symphony by Alexander Tchaikovsky: The Problem of a Synthesis of Genre Styles ..... 113 -- Togzhan Ospanova and Diana Panargalieva - Genre-Style Interactions in the Works of Kazakhstan Composers: Historical and Aesthetic Aspects ..... 115 -- Bayanjargal Oyunbadrakh - The Editing of Music: The Performer and Freedom of Interpretation ..... 116 -- Nadezhda Petruseva - Distance and Proximity to the East: Pierre Boulez – Karlheinz Stockhausen – György Ligeti – Toru Takemitsu ..... 117 -- Leah Pild - A Semantic Halo of Ludwig van Beethoven’s Music in the Works of Afanasy Fet ..... 119 -- Juliya Plakhotnaya - Features of Perception of Musical and Poetic Works ..... 120 -- Alexander Pletnev - Mixing and Conflict of Value Bases of Eastern and Western Cultures in Virtual Arts ..... 121 -- Olga Polisadova - Genre and Style Features of Sergey Diaghilev’s Ballets Russes ..... 122 -- Ekaterina Prikhodovskaya - The Synthetic Nature of the Emotive-Suggestive Message in Art ..... 124 -- Larisa Prokofieva and Anna Ermakova - Lexical and Phonosemantic Synesthetic Associations in Children’s Lullabies: Materials from German and Russian Languages ..... 125 -- Vadim Prozersky - The Problem of Synesthesia in the Aesthetics of Emotivism ..... 126 -- Evgeniya Rau - The Idea of Dialogue in Passions of Contemporary Composers ..... 128 -- David Salkowski - The Temple Action and the Synthesis of the Arts: The Action of the Fiery Furnace Burning by Alexander Kastalsky ..... 130 -- Anastasiya Saut - Synesthetic Features of Artists’ Creativity of the Amaravella Group ..... 131 -- Tatyana Sergeeva - Synthesis of Arts in the Context of the Dialogue of Cultures of the East and the West ..... 133 -- Elena Shabshaevich - Tolstoy and Tchaikovsky: A Virtual Artistic Dialogue in the Ballet Genre ..... 134 -- Ding Shuyue and Natalya Dozhina - The Rituals of Traditional Belarusian and Chinese Wedding as a Form of Interaction of Arts ..... 136 -- Larisa Smirnova - Interpretation of Russian Folk Songs in Animation ..... 137 -- Olga Sobakina - Musical Graphics in Interpretation of Boguslav Schaeffer and His Followers ..... 138 -- Irina Susidko and Anastasiya Maslova - Manuel de Falla’s Ballet The Three-Cornered Hat and the Spanish Theatrical Tradition of the 16th an 
506 0 |a free access 
520 3 |a This book provides abstracts of papers of the 2nd International Conference Polylogue and Synthesis of Arts: History and Modernity, Theory and Practice; Epochs – Styles – Genres, which took place on March 4–5, 2019, at the Rimsky-Korsakov Saint Petersburg State Conservatory. The conference was dedicated to Music and its relationship to Philosophy, Literature, and the Visual Arts. While papers were presented predominantly by Russian academicians, a range of authors participated from Western European, United States and Far East academies, including from China and Mongolia. In this way, the conference’s agenda was expanded to worldwide cultures. The original conference proceeding was published in Russian in 2019; it was subsequently translated into English and revised for this present edition. The limited availability of Russian academic publications in the West, combined with a language barrier, create considerable constraints in the way of wider recognition. We aim to address this gap by offering readers this English edition as a source for a broader appreciation in the West of contemporary Russian research. 
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